Not soon, as late as the approach of my ninetieth year,
I felt a door opening in me and I entered
the clarity of early morning.
One after another my former lives were departing,
like ships, together with their sorrow.
And the countries, cities, gardens, the bays of seas
assigned to my brush came closer,
ready now to be described better than they were before.
I was not separated from people,
grief and pity joined us.
We forget—I kept saying—that we are all children of the King.
For where we come from there is no division
into Yes and No, into is, was, and will be.
We were miserable, we used no more than a hundredth part
of the gift we received for our long journey.
Moments from yesterday and from centuries ago—
a sword blow, the painting of eyelashes before a mirror
of polished metal, a lethal musket shot, a caravel
staving its hull against a reef—they dwell in us,
waiting for a fulfillment.
I knew, always, that I would be a worker in the vineyard,
as are all men and women living at the same time,
whether they are aware of it or not.
— Czesław Miłosz, “Late Ripeness”
Out of the wood of thoughts that grows by night
To be cut down by the sharp axe of light,—
Out of the night, two cocks together crow,
Cleaving the darkness with a silver blow:
And bright before my eyes twin trumpeters stand,
Heralds of splendour, one at either hand,
Each facing each as in a coat of arms:
The milkers lace their boots up at the farms.
— Edward Thomas, “Cock-Crow”
Music, when soft voices die,
Vibrates in the memory;
Odours, when sweet violets sicken,
Live within the sense they quicken.
Rose leaves, when the rose is dead,
Are heap'd for the belovèd's bed;
And so thy thoughts, when thou art gone,
Love itself shall slumber on.
— Percy Bysshe Shelley, “Music, when soft voices die”
These are the days when birds come back,
A very few, a bird or two,
To take a backward look.
These are the days when skies put on
The old, old sophistries of June, –
A blue and gold mistake.
Oh, fraud that cannot cheat the bee,
Almost thy plausibility
Induces my belief,
Till ranks of seed their witness bear,
And softly through the altered air
Hurries a timid leaf!
Oh, sacrament of summer days,
Oh, last communion in the haze,
Permit a child to join,
Thy sacred emblems to partake,
Thy consecrated bread to break,
Taste thine immortal wine!
— Emily Dickinson, “Indian Summer”
In my Autumn garden I was fain
To mourn among my scattered roses;
Alas for that last rosebud which uncloses
To Autumn’s languid sun and rain
When all the world is on the wane!
Which has not felt the sweet constraint of June,
Nor heard the nightingale in tune.
Broad-faced asters by my garden walk,
You are but coarse compared with roses:
More choice, more dear that rosebud which uncloses,
Faint-scented, pinched, upon its stalk,
That least and last which cold winds balk;
A rose it is though least and last of all,
A rose to me though at the fall.
— Christina Rossetti, “October Garden”
Further in Summer than the Birds –
Pathetic from the Grass –
A minor Nation celebrates
It’s unobtrusive Mass.
No Ordinance be seen –
So gradual the Grace
A gentle Custom it becomes –
Enlarging Loneliness –
Antiquest felt at Noon –
When August burning low
Arise this spectral Canticle
Repose to typify –
Remit as yet no Grace –
No furrow on the Glow,
But a Druidic Difference
Enhances Nature now –
—Emily Dickinson, “Further in Summer than the Birds (895)”
© SteinerBooks 2024
